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Merged below called "SISaAI"

There is no such thing as a flawless system. It's about using it appropriately and reasonably without pushing it to its limits.

Modelfile

FROM ./Llama-3.1-SISaAI-Ko-merge-8B-Instruct-GGUF/Llama-3.1-SISaAI-Ko-merge-8B-Instruct.Q5_K_M.gguf
TEMPLATE """{{ if .Messages }}
{{- if or .System .Tools }}<|start_header_id|>system<|end_header_id|>
{{- if .System }}

{{ .System }}
{{- end }}
{{- if .Tools }}

You are a helpful assistant with tool calling capabilities. When you receive a tool call response, use the output to format an answer to the original user question.
{{- end }}
{{- end }}<|eot_id|>
{{- range $i, $_ := .Messages }}
{{- $last := eq (len (slice $.Messages $i)) 1 }}
{{- if eq .Role "user" }}<|start_header_id|>user<|end_header_id|>
{{- if and $.Tools $last }}

Given the following functions, please respond with a JSON for a function call with its proper arguments that best answers the given prompt.

Respond in the format {"name": function name, "parameters": dictionary of argument name and its value}. Do not use variables.

{{ $.Tools }}
{{- end }}

{{ .Content }}<|eot_id|>{{ if $last }}<|start_header_id|>assistant<|end_header_id|>

{{ end }}
{{- else if eq .Role "assistant" }}<|start_header_id|>assistant<|end_header_id|>
{{- if .ToolCalls }}

{{- range .ToolCalls }}{"name": "{{ .Function.Name }}", "parameters": {{ .Function.Arguments }}}{{ end }}
{{- else }}

{{ .Content }}{{ if not $last }}<|eot_id|>{{ end }}
{{- end }}
{{- else if eq .Role "tool" }}<|start_header_id|>ipython<|end_header_id|>

{{ .Content }}<|eot_id|>{{ if $last }}<|start_header_id|>assistant<|end_header_id|>

{{ end }}
{{- end }}
{{- end }}
{{- else }}
{{- if .System }}<|start_header_id|>system<|end_header_id|>

{{ .System }}<|eot_id|>{{ end }}{{ if .Prompt }}<|start_header_id|>user<|end_header_id|>

{{ .Prompt }}<|eot_id|>{{ end }}<|start_header_id|>assistant<|end_header_id|>

{{ end }}{{ .Response }}{{ if .Response }}<|eot_id|>{{ end }}"""
PARAMETER stop <|start_header_id|>
PARAMETER stop <|end_header_id|>
PARAMETER stop <|eot_id|>

Test

ollama create sisaai -f ./modelfile_sisaai
ollama run sisaai:latest
jaylee@lees-MacBook-Pro-2 merge % ollama run sisaai:latest
>>> ๋Œ€ํ•œ๋ฏผ๊ตญ ์ˆ˜๋„๋Š”
์„œ์šธ์ž…๋‹ˆ๋‹ค.
>>> ๋Œ€ํ•œ๋ฏผ๊ตญ ๋Œ€ํ†ต๋ น์€
ํ˜„์žฌ ๋Œ€ํ•œ๋ฏผ๊ตญ์˜ ๋Œ€ํ†ต๋ น์€ ์œค์„์—ด์ž…๋‹ˆ๋‹ค. (2023๋…„ 5์›” 4์ผ ๊ธฐ์ค€)
>>> ํ”ผ๋ณด๋‚˜์น˜ ์ˆ˜์—ด ํŒŒ์ด์ฌ ์ฝ”๋“œ
ํ”ผ๋ณด๋‚˜์น˜ ์ˆ˜์—ด์€ 0๊ณผ 1๋กœ ์‹œ์ž‘ํ•˜๋Š” ์ˆ˜์—ด์ด๋ฉฐ, ์ด์–ด์„œ ๋‹ค์Œ ์ˆ˜๋Š” ์ด์ „ ๋‘ ์ˆ˜์˜ ํ•ฉ์ž…๋‹ˆ๋‹ค. ์˜ˆ๋ฅผ ๋“ค์–ด:

0, 1, 1, 2, 3, 5, 8, 13, ...

ํŒŒ์ด์ฌ์—์„œ ํ”ผ๋ณด๋‚˜์น˜ ์ˆ˜์—ด์„ ๊ตฌํ˜„ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.

### ๋ฐฉ๋ฒ• 1: ๋ฐ˜๋ณต๋ฌธ
python
def fibonacci(n):
    if n <= 0:
        return None
    elif n == 1:
        return 0
    elif n == 2:
        return 1
    else:
        a, b = 0, 1
        for _ in range(3, n+1):
            a, b = b, a + b
        return b

# ์˜ˆ์ œ: 10๋ฒˆ์งธ ํ”ผ๋ณด๋‚˜์น˜ ์ˆ˜
print(fibonacci(10)) # 55


### ๋ฐฉ๋ฒ• 2: ์žฌ๊ท€ํ•จ์ˆ˜
python
def fibonacci(n):
    if n <= 0:
        return None
    elif n == 1:
        return 0
    else:
        return fibonacci(n-1) + fibonacci(n-2)

# ์˜ˆ์ œ: 10๋ฒˆ์งธ ํ”ผ๋ณด๋‚˜์น˜ ์ˆ˜
print(fibonacci(10)) # 55


### ๋ฐฉ๋ฒ• 3:-generator
python
def fibonacci():
    a, b = 0, 1
    while True:
        yield a
        a, b = b, a + b

# ์˜ˆ์ œ: ์ฒซ 5๊ฐœ์˜ ํ”ผ๋ณด๋‚˜์น˜ ์ˆ˜
f = fibonacci()
for _ in range(5):
    print(next(f)) # 0, 1, 1, 2, 3


### ๋ฐฉ๋ฒ• 4: ์ดํ„ฐ๋ ˆ์ด์…˜
python
def fibonacci(n):
    if n <= 0:
        return None
    a, b = 0, 1
    result = []
    for _ in range(n):
        result.append(a)
        a, b = b, a + b
    return result

# ์˜ˆ์ œ: 10๊ฐœ์˜ ํ”ผ๋ณด๋‚˜์น˜ ์ˆ˜
print(fibonacci(10)) # [0, 1, 1, 2, 3, 5, 8, 13, 21, 34]


### ๋ฐฉ๋ฒ• 5: ๋งค๊ฐœ๋ณ€์ˆ˜ n์˜ ํšจ์œจ์„ฑ
python
def fibonacci(n):
    if n <= 0:
        return None
    elif n == 1:
        return 0
    elif n == 2:
        return 1
    else:
        a, b = 0, 1
        for i in range(3, n+1):
            a, b = b, a + b
        return b

# ์˜ˆ์ œ: 10000๋ฒˆ์งธ ํ”ผ๋ณด๋‚˜์น˜ ์ˆ˜
print(fibonacci(10000))


### ๋ฉ”๋ชจ: ์ด์ค‘ ์žฌ๊ท€์— ๋Œ€ํ•œ ์„ฑ๋Šฅ ์ƒ์˜ ๋ฌธ์ œ
์žฌ๊ท€์  ๋ฐฉ๋ฒ•์€ ํฐ n์— ๋Œ€ํ•ด ๋น„ํšจ์œจ์ ์ผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๋ฐ˜๋ณต์ ์ธ ๋ฐฉ๋ฒ•์ด ๋” ์ข‹์Šต๋‹ˆ๋‹ค.

ํ”ผ๋ณด๋‚˜์น˜ ์ˆ˜์—ด์„ ์—ฐ์‚ฐํ•˜๊ณ  ์‹ถ์œผ๋ฉด, [์ด๊ณณ](https://github.com/SeongHyunYoon/fibonacci)์—์„œ Python์˜ ๋‹ค์–‘ํ•œ ๊ตฌํ˜„๋ฒ•์„ ํ™•์ธํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
>>> third eye blind ๊ฐ€์ˆ˜ ์†Œ๊ฐœ
Third Eye Blind๋Š” ๋ฏธ๊ตญ์˜ ๋ก ๋ฐด๋“œ์ž…๋‹ˆ๋‹ค. 1993๋…„์— ๊ฒฐ์„ฑ๋˜์—ˆ์œผ๋ฉฐ, ๊ทธ๋“ค์€ 90๋…„๋Œ€์™€ 2000๋…„๋Œ€์˜ ๋ก ์Œ์•… ์žฅ๋ฅด์—์„œ ์ฃผ๋ชฉ๋ฐ›์€ ๋ฐ” ์žˆ์Šต๋‹ˆ๋‹ค.

### ๋ฉค๋ฒ„
- ์Šคํ‹ฐ๋ธ ์ œ๋„ค (Steve Jenkins): ๋ณด์ปฌ, ๋ฆฌ๋”
- ์•„๋ก  ์•™๋“œ๋ฅ˜์Šค (Aaron Andreoli): ๊ธฐํƒ€, ๋ฐฑ๋ณด์ปฌ
- ์ผ„๋ฐ์‚ฌ์Šค ์œŒ๋ฆฌ์—„์Šจ (Kendall Williamson): ๋ฒ ์ด์Šค
- ์ฝœ๋ฆฐ ์„ธ์ดํฌ (Colin Sears): ๋“œ๋Ÿผ

### ๋ฐ๋ท”์™€ ์„ฑ๊ณต
Third Eye Blind๋Š” 1997๋…„์— ๋ฐ๋ท” ์Œ๋ฐ˜ "Third Eye Blind"์„ๅ‘ๅธƒํ–ˆ์Šต๋‹ˆ๋‹ค. ์ด ์Œ๋ฐ˜์€ ๋Œ€ํžˆํŠธ๊ฐ€ ๋˜์—ˆ๊ณ , "Semi-Charmed Life", "How's It Going to Be", 
"Jumper", "Goodbye for Goodness' Sake" ๋“ฑ ๋‹ค์–‘ํ•œ ํžˆํŠธ๊ณก๋“ค์„ ๋ฐœํ‘œํ–ˆ์Šต๋‹ˆ๋‹ค.

### ๋‘ ๋ฒˆ์งธ์™€ ์„ธ ๋ฒˆ์งธ ์Œ๋ฐ˜
๋‘ ๋ฒˆ์งธ ์Œ๋ฐ˜ "Out of the Veil"์€ 2000๋…„์— ๋ฐœ๋งค๋˜์—ˆ๊ณ , ์„ธ ๋ฒˆ์งธ ์Œ๋ฐ˜ "The Third Eye Blind Collection"์€ 2002๋…„์—์„œ 2003๋…„์— ๋ฐœ๋งค๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ์ด ๋ฐด๋“œ๋Š” ๋˜ํ•œ
 ์—ฌ๋Ÿฌ ๊ฐœ์˜ EP์™€ ์‹ฑ๊ธ€ ์Œ๋ฐ˜๋“ค์„ ๋ฐœํ‘œํ–ˆ์Šต๋‹ˆ๋‹ค.

### ํ•ด์ฒด
Third Eye Blind๋Š” 2005๋…„์— ํ™œ๋™์„ ์ค‘๋‹จํ–ˆ์ง€๋งŒ, 2019๋…„์— ๋ณต๊ท€๋ฅผ ์„ ์–ธํ•˜๊ณ  "Warriors"๋ฅผ ๋ฐœํ‘œํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋“ค์€ ๊ณ„์†ํ•ด์„œ ์ƒˆ๋กœ์šด ๊ณก๋“ค์„ ๋ฐœํ‘œํ•˜๊ณ  ์ฝ˜์„œํŠธ๋„ ์—ด๊ณ  
์žˆ์Šต๋‹ˆ๋‹ค.

### ์Œ์•…้ฃŽๆ ผ
Third Eye Blind์˜ ์Œ์•…์€ ๋ก, ํŒ, ์ผ๋ ‰ํŠธ๋กœ๋‹‰, ํž™ํ•ฉ ๋“ฑ ๋‹ค์–‘ํ•œ ์žฅ๋ฅด๋ฅผ ํ˜ผํ•ฉํ•œ ๊ฒƒ์ด ํŠน์ง•์ž…๋‹ˆ๋‹ค. ๋ณด์ปฌ ์Šคํ‹ฐ๋ธ ์ œ๋„ค์˜ ๋ชฉ์†Œ๋ฆฌ๋Š” ์œ ๋‹ˆํฌํ•˜๋ฉฐ, ๊ทธ๋“ค์€ ์„ธ๋ จ๋œ ๋ฆฌ๋“ฌ๊ณผ
 ๋ฉœ๋กœ๋””๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.

### ์ธ๋ฌผไป‹็ป
- ์Šคํ‹ฐ๋ธ ์ œ๋„ค (Steve Jenkins): Third Eye Blind์˜ ๋ฆฌ๋”์ด์ž ๋ณด์ปฌ์ด๋ฉฐ, ๋…ธ๋ž˜์— ๋งŽ์€ ์˜๊ฐ์„ ์ฃผ๋Š” ์‚ฌ๋žŒ์ž…๋‹ˆ๋‹ค. ๊ทธ๋Š” ๋˜ํ•œ ์Œ์•… ํ”„๋กœ๋“€์„œ์™€ ์ž‘๊ณก๊ฐ€์ด๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค.
- ์•„๋ก  ์•™๋“œ๋ฅ˜์Šค (Aaron Andreoli): ๊ธฐํƒ€๋ฆฌ์ŠคํŠธ์ด์ž ๋ฐฑ๋ณด์ปฌ๋กœ, ๋ฐด๋“œ์—์„œ ์ค‘์š”ํ•œ ์—ญํ• ์„ ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋Š” ๋˜ํ•œ ์—ฌ๋Ÿฌ ์Œ๋ฐ˜์— ์ฐธ์—ฌํ•œ ์ ์ด ์žˆ์Šต๋‹ˆ๋‹ค.

Third Eye Blind๋Š” ๊ทธ๋“ค์˜ ๋…ํŠนํ•˜๊ณ  ๋งค๋ ฅ์ ์ธ ์Œ์•…์œผ๋กœ ๋งŽ์€ ํŒฌ๋“ค์„ ์ด๋Œ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋“ค์€ 90๋…„๋Œ€์™€ 2000๋…„๋Œ€์˜ ๋ก ์Œ์•…์‚ฌ์— ์ค‘์š”ํ•œ ์—ญํ• ์„ ํ–ˆ์Šต๋‹ˆ๋‹ค.

>>> ์˜์–ด๋กœ
Third Eye Blind is an American rock band formed in 1993. They gained popularity in the 1990s and 2000s, particularly with their hit songs like 
"Semi-Charmed Life" and "Jumper".

### Members
- Steve Jenkins: Lead vocals, rhythm guitar
- Aaron Andreoli: Lead guitar, backing vocals
- Kendall Williamson: Bass guitar
- Colin Sears: Drums

### Debut and Success
Third Eye Blind released their debut album in 1997, which became a huge hit. They also released several successful singles such as "How's It Going to 
Be", "Jumper", and "Goodbye for Goodness' Sake".

### Subsequent Albums
Their second album, "Out of the Veil", was released in 2000. The third album, "The Third Eye Blind Collection", came out in 2002-2003.

### Hiatus and Reunion
Third Eye Blind went on hiatus in 2005 but announced their reunion in 2019. They have since released new music and continued to tour.

### Musical Style
Third Eye Blind's music combines elements of rock, pop, electronic, and hip-hop. The band is known for their catchy melodies and Steve Jenkins' 
distinctive vocals.

### Notable Individuals
- Steve Jenkins: Lead singer, songwriter, and producer who brings a unique energy to the band.
- Aaron Andreoli: Guitarist and backing vocalist who contributes to the band's sound.

Third Eye Blind remains a beloved rock band with a dedicated fan base. Their music has had a significant impact on the 90s and early 2000s rock scene.
>>> ๋‰ด์š• ์—ฌํ–‰ ์ผ์ •์„ ์งœ์ค˜
๋‰ด์š• ์—ฌํ–‰์— ๋Œ€ํ•ด ์•Œ๋ ค๋“œ๋ฆฝ๋‹ˆ๋‹ค.

### ์ฒซ์งธ๋‚ 
- ์•„์นจ: ์—์ดํ”ŒํŽ€๋“œ ํƒ€์›Œ์—์„œ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค. ์œ ๋ฆฌ ์ฒœ์žฅ๊ณผ ์ฃผ๋ณ€์˜ ์•„๋ฆ„๋‹ค์šด ๊ฒฝ๊ด€์„ๆฌฃ่ตํ•˜๊ณ , ๋ฉ”ํŠธ๋กœํด๋ฆฌํƒ„ ๋ฏธ์ˆ ๊ด€์„ ๋ฐฉ๋ฌธํ•ด ์„ธ๊ณ„ ์œ ๋ช…ํ•œ ์˜ˆ์ˆ ์ž‘ํ’ˆ๋“ค์„ ๋งŒ๋‚˜๋ณด์„ธ์š”.
- ์ ์‹ฌ: ์„ธ์ธํŠธ ํŒจํŠธ๋ฆญ์Šค ์นดํŽ˜์—์„œ ์•„์ด์Šคํฌ๋ฆผ๊ณผ ์ƒŒ๋“œ์œ„์น˜๋ฅผ ์ฆ๊ธฐ๊ณ , ํ•˜๊ณ„ ํŒŒํ‹ฐ๊ฐ€ ์žˆ๋Š” Central Park๋ฅผ ๋ฐฉ๋ฌธํ•˜์„ธ์š”. ์ฒœ์—ฐ ํ˜ธ์ˆ˜์™€ ๋‚˜๋ฌด๋“ค์ด ์•„๋ฆ„๋‹ต์Šต๋‹ˆ๋‹ค.
- ์ €๋…: ๋ธŒ๋กœ๋“œ์›จ์ด ๋ฎค์ง€์ปฌ์„ ๋ณด๋Ÿฌ ๊ฐ€๊ฑฐ๋‚˜ Times Square๋กœ ์ด๋™ํ•ด ๋‰ด์š•์˜ ๋ฐค๋ชจ์Šต์„ ์ฆใŽ์„ธ์š”.

### ๋‘˜์งธ๋‚ 
- ์•„์นจ: Statue of Liberty Cruises๋ฅผ ํƒ€๊ณ  ์ž์œ ์˜ ์—ฌ์‹ ์„ ๋ฐฉ๋ฌธํ•˜๊ณ , 9/11 ๋ฉ”๋ชจ๋ฆฌ์–ผ ๋ฐ•์Šค๋ฅผ ๋ฐฉ๋ฌธํ•˜์„ธ์š”.
- ์ ์‹ฌ: Wall Street์—์„œ ์Šค๋งˆ์ผ๋ง ์ธ์ฝ”์–ด๋กœ ์œ ๋ช…ํ•œ ํ”ผ์ž์ง‘์— ๊ฐ€์„œ ๋‰ด์š• ํŠน์œ ์˜ ํŒจ์ŠคํŠธํ‘ธ๋“œ๋ฅผ ๋ง›๋ณด์„ธ์š”.
- ์ €๋…: SoHo๋กœ ์ด๋™ํ•ด ์‡ผํ•‘์„ ํ•˜๊ฑฐ๋‚˜, Tribeca๋กœ ๊ฐ€๋ฉด ์ดํƒˆ๋ฆฌ์•„์™€ ์ŠคํŽ˜์ธ์˜ ์Œ์‹์„ ์ฆ๊ธธ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.

### ์…‹์งธ๋‚ 
- ์•„์นจ: ๋ธŒ๋กฑํฌ์Šค์— ์žˆ๋Š” ๋‰ด์š•์ฃผ๋ฆฝ๋Œ€ํ•™๊ต๋กœ ๊ฐ€์„œ ์•„ํŠธ๋นŒ๋”ฉ์„ ๋ฐฉ๋ฌธํ•˜์„ธ์š”. ์ „ ์„ธ๊ณ„์ ์œผ๋กœ ์œ ๋ช…ํ•œ ํ˜„๋Œ€ ๋ฏธ์ˆ ๊ด€์ž…๋‹ˆ๋‹ค.
- ์ ์‹ฌ: ํ•˜์ด๋ธŒ๋ฆฌ๋“œ ๊ณต๋ฃก (Hybrid T-Rex)๊ณผ ์‚ฌํŒŒ๋ฆฌ ๋ฒ„์Šค (Safari Bus)๋ฅผ ํƒ€๊ณ  Central Park๋ฅผ ๊ฑฐ๋‹์–ด ๋ณด์„ธ์š”. ์•ผ์ƒ ๋™๋ฌผ๋“ค์ฒ˜๋Ÿผ ๋Š๊ปด์ง‘๋‹ˆ๋‹ค.
- ์ €๋…: ํ•œ์ •์‹์„ ์ฆ๊ธฐ๊ฑฐ๋‚˜, ํ”Œ๋žซIRON Steakhouse์—์„œ ์Šคํ…Œ์ดํฌ์™€ ์™€์ธ์œผ๋กœ ๋๋‚ด์„ธ์š”.

### ๋„ท์งธ๋‚ 
- ์•„์นจ: ํ•˜๊ณ„์˜ ๋‰ด์š• ์‹œํ‹ฐ๋ฅผ ๊ฑธ์œผ๋ฉฐ ๋ธŒ๋ฃจํด๋ฆฐ ๋ธŒ๋ฆฌ์ง€ (Brooklyn Bridge)๊ณผ Manhattan Skyline์„ ๋ณด์„ธ์š”.
- ์ ์‹ฌ: Coney Island Beach์— ๊ฐ€์„œ ํ•ด๋ณ€๊ณผ ๋†€์ด๊ธฐ๊ตฌ, ์‹๋‹น๋“ค์„ ์ฆ๊ธฐ๊ณ , ํŒŒ๋ผ๋‹ค์ด์Šค ํŒจํฌ (Paradise Park)์™€ ์„ธ์ธํŠธ ๋ฃจ์นด์Šค ๊ณต์› (St. Luke's Place)์„ ๋ฐฉ๋ฌธํ•˜์„ธ์š”
.
- ์ €๋…: ํ•˜๊ณ„์˜ ์˜ํ™”์ œ๋ฅผ ๋ณด๊ฑฐ๋‚˜, ๋‰ด์š• ์‹œํ‹ฐ์˜ ์•ผ๊ฒฝ์„ๆฌฃ่ตํ•˜๊ณ , ํ•ด๋ณ‘๋Œ€ ๊ธฐ๋…๊ด€ (The Intrepid Sea, Air & Space Museum)์—์„œ ๋๋‚ด์„ธ์š”.

### ๋‹ค์„ฏ์งธ๋‚ 
- ์•„์นจ: ๋ธŒ๋ฃจํด๋ฆฐ์— ์žˆ๋Š” Brooklyn Museum์„ ๋ฐฉ๋ฌธํ•˜์„ธ์š”. ์ „ ์„ธ๊ณ„์ ์œผ๋กœ ์œ ๋ช…ํ•œ ๋ฏธ์ˆ ๊ด€์ž…๋‹ˆ๋‹ค.
- ์ ์‹ฌ: Williamsburg์—์„œ ๋จน๋Š” ๋‰ด์š• ํŠน์œ ์˜ ์Šค๋ฏธ์Šค ํ•˜์šฐ์Šค (Smith House)์™€ Smorgasborg๋ฅผ ๋ฐฉ๋ฌธํ•˜์„ธ์š”.
- ์ €๋…: ๋ฉ”์ด์‹œ์Šค ์Šคํƒ€๋””์›€ (Macy's Stadium)๊ณผ Flatbush Ave.๋กœ ๊ฐ€๋ฉด ์•ผ์™ธ ์˜ํ™”์ œ๋ฅผ ๋ณด๊ฑฐ๋‚˜, Manhattan Bridge์—์„œ ๋๋‚ด์„ธ์š”.

### ์—ฌ์„ฏ์งธ๋‚ 
- ์•„์นจ: ์œ ๋‹ˆ์˜จ ์Šคํ€˜์–ด ๊ณต์› (Union Square Park)์—์„œ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค.
- ์ ์‹ฌ: ์œ ๋‹ˆ์˜จ ์Šคํ€˜์–ด์—์„œ ์ ์‹ฌ์„ ์ฆ๊ธฐ๊ณ , 5 avenue์™€ 23 street์— ๊ฐ€๋ฉด ์•„์‹œ์•ˆ ์‹๋‹น๋“ค์„ ๋งŒ๋‚˜๋ณด์„ธ์š”.
- ์ €๋…: ๋‰ด์š• ์‹œํ‹ฐ์˜ ๋ฐค๋ชจ์Šต์„ๆฌฃ่ตํ•˜๊ณ , Broadway๋ฅผ ํ†ตํ•ด ๋งˆ์ง€๋ง‰ ๋ฎค์ง€์ปฌ์„ ๋ณด์„ธ์š”.

์ด ์—ฌํ–‰ ์ผ์ •์€ ๋‰ด์š•์˜ ์œ ๋ช…ํ•œ ์žฅ์†Œ๋“ค์„ ๋ฐฉ๋ฌธํ•˜๋Š” ๊ฒƒ์ด๋ฉฐ, ๊ฐ ์ง€์—ญ๋งˆ๋‹คไธๅŒ็š„ ๊ฒฝํ—˜๊ณผ ๋ฌธํ™”๋ฅผ ์ฆ๊ธธ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์—ฌ์œ ๋กญ๊ฒŒ ์—ฌํ–‰ํ•ด ์ฃผ์„ธ์š”!

Provided Quants

This graph compares the performance of various quantization methods, focusing on lower-quality quant types:

X-axis (bpw): Bits per weight. Lower values mean higher compression.

Y-axis (PPL(Q)/PPL(fp16)-1): Performance degradation of quantized models. Lower values mean less degradation.

Methods Compared:

Pre-imatrix k-quants: Older quantization methods.

Pre-imatrix legacy quants: Traditional quantization methods.

imatrix i- and k-quants: Modern quantization using advanced techniques.

Key Insight: imatrix-based methods (i- and k-quants) show less performance degradation, especially at lower bpw (higher compression), making them more efficient than legacy methods. The graph helps choose the best method based on the desired balance between compression and performance.

image.png


@article{Llama-3.1-SISaAI-Ko-merge-8B-Instruct,
  title={asiansoul/Llama-3.1-SISaAI-Ko-merge-8B-Instruct-GGUF},
  author={Asiansoul called "Twp Eye Blind"},
  merged={Asiansoul called "Twp Eye Blind"},
  year={2025},
  url = {https://huggingface.co/asiansoul/Llama-3.1-SISaAI-Ko-merge-8B-Instruct}
}
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