autotrain-data-processor commited on
Commit
12ec3d6
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1 Parent(s): 62ec4b7

Processed data from AutoTrain data processor ([2023-07-26 09:37 ]

Browse files
README.md CHANGED
@@ -24,12 +24,12 @@ A sample from this dataset looks as follows:
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  ```json
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  [
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  {
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- "text": "Some movies you just know you're going to love from the first few seconds. This is one of those movies. Tracing it's roots back to \"Double Indemnity,\" and \"The Postman Always Rings Twice\" in the 40's - this was a great example of Modern Film Noir in the 90's. Nick Cage plays the \"down on his luck\" main character who gets entangled in a husband-wife murder plot - and his luck goes from bad to worse to even worse as he tries and tries to get away from the people, town, violence and threat of Red Rock West. Lots of twists and turns, great performances by Cage, Hopper and Walsh, an hypnotic slide-guitar musical backdrop, and seamless directing make this a real joy. Favorite Line: When Cage looks at the empty gas gauge in the get-away car, shakes his head and says: \"F***in' story of my life.\"",
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- "target": 1
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  },
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  {
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- "text": "A brilliant movie about family, guilt, sacrifice, betrayal, and love. Macy is such a great actor. It was almost a shame to see him in the same scenes with Campbell, who looks the part of a neurotic sex object but doesn't have the chops to work with him on the level the script called for. But he's such a good actor that he played down to her level to make the scenes work. I highly applaud the casting of Tracey Ullman as the neglected wife. Who knew? Sutherland is also very good. The way he moves makes his character look taller (and even younger in some scenes). Almost everyone knew what they were doing.<br /><br />Macy's portrayal of the only situation in which his character is not able to be careful is nothing short of complete mastery.",
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- "target": 1
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  }
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  ]
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  ```
@@ -41,7 +41,7 @@ The dataset has the following fields (also called "features"):
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  ```json
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  {
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  "text": "Value(dtype='string', id=None)",
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- "target": "ClassLabel(names=['neg', 'pos'], id=None)"
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  }
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  ```
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@@ -51,5 +51,5 @@ This dataset is split into a train and validation split. The split sizes are as
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  | Split name | Num samples |
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  | ------------ | ------------------- |
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- | train | 20000 |
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- | valid | 5000 |
 
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  ```json
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  [
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  {
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+ "text": "Me neither, but this flick is unfortunately one of those movies that are too bad to be good and too good to be awful, which makes it utterly pointless and a total waste of time. There's nothing more uninteresting than a mediocre movie, and My Name is Modesty: Whatever the subtitle is takes mediocrity to a new level. It's full of B-actors but isn't any fun whatsoever because it takes itself seriously. It sets itself up as a thriller but then turns into some kind of growing-up drama, flashback style. The beautiful Alexandra Staden, smothered beyond recognition under makeup, more resembles a cast member from Top Model than Modesty Blaise. I'm not one of those die-hard comic book freaks who wants every adaptation of his precious \"graphic novels\" to be pitch-perfect - in fact I've never even read Modesty Blaise - all I wanted was a decent movie to watch. But this wasn't it. The film feels half-finished, with a weak and very unexciting conclusion to a rather weak plot. It also takes its audience for idiots, explaining every tiny detail of the plot to us and showing flashbacks of things that happened three scenes ago (I guess they think we all have Alzheimers).<br /><br />Now I love a good B-movie - what's better than just turning your brain off and swallowing the cinematic equivalent of a Calzone? - and \"Modesty\" is directed by none other than Scott Spiegel, who brought us the wonderful splatter crap flick From Dusk Till Dawn 2: Texas Blood Money! I loved From Dusk Till Dawn 2 because it brought everything a bad B-movie should bring to the table - nudity, gore, guns, you name it. \"Modesty\" is just dull. The flashback concerning Modesty's life isn't interesting. The acting isn't bad enough to be laughed at. In fact, I kinda liked Nikolaj Coaster-Waldau's (hey buddy, pseudonyms are your friends!) performance as the baddie.<br /><br />So overall it's just lame. Weak. Uninspired. Call it what you will. Don't watch anything because Tarantino presents it, people. This is just a very forgettable, half-hearted thriller, and it never tries to be more than that. Allow me to round off this review with a very lame pun (seriously, even I'm cringing): My Name Is Modesty: A Modesty Waste of Time - 4/10",
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+ "target": 0
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  },
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  {
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+ "text": "This movie was so incredibly boring, Michael J. Fox could've done so much better. Sorry, but it's true for all you people who liked the movie",
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+ "target": 0
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  }
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  ]
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  ```
 
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  ```json
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  {
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  "text": "Value(dtype='string', id=None)",
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+ "target": "ClassLabel(names=['0', '1'], id=None)"
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  }
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  ```
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  | Split name | Num samples |
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  | ------------ | ------------------- |
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+ | train | 2398 |
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+ | valid | 601 |
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processed/train/dataset_info.json CHANGED
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@@ -19,8 +19,8 @@
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processed/valid/dataset_info.json CHANGED
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@@ -19,8 +19,8 @@
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